8 junio, 2024

7 Characteristics of Dance

The dance characteristics They are based on a series of qualities such as choreography, costumes, training, interpretation and aesthetics. These components synthesize dance as a social art and one of the most ancient forms of bodily expression.

Dance has been part of human evolution since man had the need to communicate bodily, through movements that expressed their moods together with their feelings.

With the passage of time, various dance styles have emerged whose movements and steps have evolved thanks to the various generations of dancers that have existed.

The instrument of a dancer is his body. As a result, one of the most important skills developed in dance is the physical potential that dancers achieve through dedication and consistency in their training.

Main features of the dance


Choreography is a series of body movements that involves various parts of the human body to be performed by one or more people.

In turn, it is a structured design of shapes and patterns that follows a previously determined rhythm for a specific time.

Through body movements, the intensity of the actions and the transformation of movements out of the ordinary are expressed.

In ballet and some folk dances there are pre-established movements that form a kind of vocabulary. In Asian dances, sign language or symbolic gestures are usually implemented.

In contrast, contemporary dance gives more freedom to their body movements to express the individuality of the dancer.

Locker room

The costume is an important element during the dance. Ornaments are external artificial components that support the dancer depending on the style of dance.

There are different kinds of clothing for the various styles. While some use ballet shoes specially designed to help the foot maintain the tiptoe position, there are others who refer to simpler, cultural or folk costumes to collaborate with the dance.


Training is one of the most important characteristics of dance. The elasticity and strength that are achieved through practice grant better results in terms of coordination and precision of execution in body movements.

Dance is an art style that requires a lot of physical and mental strength, but especially in the legs, which are more prone to muscle tears or fractures.


All dance styles have a particular aesthetic in which technique, design and execution are part.

The objective is not based on the fact that all the components of a dancer are pleasing to the eye, but that through dance the physical form is capable of generating effective movements that give meaning and unity to a vision.

interpretation and improvisation

Body language may or may not be independent of the coded language we are used to. That is, not all movements must follow a series of patterns recognized by us to understand it.

Interpretation and improvisation have been two characteristic factors that have gained great momentum in the 21st century.

A series of movements that connect the body and soul to provide a space for communication regardless of time or energy.


Historically, dance has been accompanied by soft, harmonious melodies and rhythms. However, in contemporary and more urban dance, the style of music has not mattered much, being more important to complement the choreography and what you want to express with the most appropriate music.


Dance has evolved throughout history, acquiring a series of characteristics depending on the region of the world. This diversity of dances and dances could be classified into artistic dances (ballet, contemporary dance), folkloric (flamenco, cumbia, adumu), ballroom (waltz, bolero, tango) or urban (break dance, twerking), among others.

Themes of interest

The elements of the dance.


Brown, JM (1980). The Vision of Modern Dance. Dance Book and Dodd, Mead.
Franklin, Eric. (nineteen ninety six). Dance Imagery for technique and Performance. IL: Human
Humphrey, Doris. (1959). The Art of Making Dances. Grove PressInc. New York.
Livet, A. (1978). contemporary dance. Abbeville, New York.
Sachs, C. (1933). World History of Dance. Norton, New York.

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